Whether plastering cities with his trademark parachuting rat, painting imagined breaches in the West Bank barrier in Israel or stenciling “We’re bored of fish” above the penguins’ enclosure in a zoo, Banksy creates street art with a nonchalant wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, an immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display. He is an anonymous yet worldwide famous England-based graffiti artist, political activist and film